Equipment | Mill Pond Music Studio

Lynx Aurora Analog/Digital/Analog converter- 16-channels of 192Hz/32-bit w/RME AES card
Rupert Neve 5059 16 Channel Summing Mixer
(‘Out-of the-Box’ mixing rules!)
Rupert Neve Portico 542 Analog Tape Emulation (2)
(I don’t miss the tape machine so much!)
Millennia Audio NSEQ-2 Tube Mastering Stereo Program EQ
Summit Audio FEQ 50 Tube EQ
Steinberg CuBase 10 recording software with UAD plug-in bundle
Izotope Ozone 9 Mastering, Rx 8 Restoration
Wavelab 9.5 Mastering software w/UAD plug-ins
Coleman Audio Q8 control room module/summing mixer

(Audiophile quality monitoring)
Ravenscroft Piano Software
(Amazing! THE best piano software available)
EZ Drummer 2
UAD Plug-ins in abundance

Requisite Audio L2M
(exquisite boutique Tube Limiter hand made by Danny McKinney)
Manley ELOP Optical Compressor/Limiter
Joe Meek SC-2 (audio upgrade by Bob Alach)
DBX 166

Neumann U87 (modified by Bill Bradley)
Mic Shop MS 47- Bill Bradley’s handmade reproduction of the legendary Neumann U 47 This is a jewel!
(2) Telefunken ELA M 260 small diaphragm tube mics- spectacular on fiddle, banjo and acoustic guitar-vintage sound reminiscent of Neumann KM 64, but brand new.
AKG C460 (2) (audio upgrade by Jim Williams)-pristine clarity
Peluso P 28 tube condenser mic (great on fiddle, mandolin)
Crowley and Tripp Ribbon (flutes, horns, upright bass, guitar amps)
AKG C414 (1990s model, the ‘warm’ sounding one, recently restored to new specs)
Audio-Technica AT 4050 large diaphragm mic
Shure SM-81 (2), SM-57 (4), SM-58 (5)
Shure Beta 91 kick drum mic
Neumann KMS-105
Sennheiser e914
Electro-Voice RE20, the ‘gold standard’ for warm voice-over/podcast sound

Assorted instruments, keyboards and amps available